THE WHITE HOUSE
Office of the Press Secretary
REMARKS BY THE FIRST LADY
AT NEA HERITAGE AWARDS CEREMONY
East Room
September 23, 1997
MRS. CLINTON: Thank you. Please be seated, and welcome to the
White House. I want to start by thanking one of our honorees, Ed Babb and the
McCollough Sons of Thunder from the United House of Prayer in Harlem for their
playing before the ceremony. And I've asked them to play one more piece
afterwards, so that any of you who were late or were more than 50 miles away
who didn't hear -- (laughter) -- will be able to enjoy in person, up close and
personal, this extraordinary group. I believe we have set a new record,
unlikely ever to be broken, for the number of trombones in the White House at
any one time. (Laughter.)
Today we gather to celebrate 11 uniquely American artists, from
New York to California and plenty of places in between. They have given their
extraordinary gifts to the rest of us -- from sacred music to the blues, from
Cajun weaving to Chinese opera, they speak to us -- in some cases, very loudly
-- of the richness and diversity of our artistic traditions.
On days like this, the words of Walt Whitman seem truer than ever
-- "I hear America singing." And to that I think we can safely add, and
carving and quilting and banjo-picking and blacksmithing.
As the world moves faster and faster, it is that much more
important to remember where we come from as a people. Each of you in your work
points us, like a compass, toward the importance of family, place and
community. For many of you, the skills you've acquired were taught by a
relative or a neighbor long ago, and those traditions passed down from
generation to generation are invaluable and irreplaceable. And they affect not
only your own immediate family and those who are your neighbors, but they have
had an impact on our entire country.
They bind us to our past and, more importantly, they bind us to
each other. They remind us that our diversity is our strength and that the
arts unite us as a nation. For each of you has worked hard to engage your
audience, teaching them by your example. Americans from all backgrounds have
been moved and inspired by you. And they will build on the foundation you have
constructed, just as you have built on what others have left. You have seen to
it that 11 vital American traditions will carry over into the new century.
We have many people here celebrating these awards. I want to
mention just a few: Representative John Conyers from Detroit, who I'm very
pleased could join us, and Representative Louise Slaughter from New York,
because they are two members of Congress who both appreciate what you represent
and have stood steadfast in support of it.
We are also very pleased to have two very well-known artists who
have been influenced by your work who just happened to drop in this afternoon.
(Laughter.) And I am delighted they did - Herbie Hancock and Bonnie Raitt, who
known to everyone. Will they stand and please be recognized. (Applause.)
Whether it's fighting in the halls of Congress, like Congressman
Conyers and Congresswoman Slaughter do to preserve our commitment to the arts,
or entertaining and educating us like Herbie Hancock and Bonnie Raitt, they
know very well that the roots of their work and the purpose for their advocacy
really rests in the work that you have done over the years, because you have
given all of us the reason to know that when we support the arts we're not just
supporting the big names that are in the newspaper and on the television,
we're supporting the traditions that really created those artists. And that is
what you have given to us.
Stewardship of our traditions has always been important, but that
mission takes on special urgency as we approach the new century and the
millennium. It is for this reason that the President has launched a White
House Millennium Program. Beginning this year and lasting until the year 2001,
which is literally just around the corner, Americans will come together in
millions of different ways to honor the past and imagine the future. The White
House itself will be a stage, as it is today, for showcasing American talent.
And at the heart of this program will be efforts to preserve our culture,
especially our folkways. What we have is too precious to lose.
That's why I find it surprising that every year, unfortunately, we
seem to get caught up in the same old debate about whether or not our
government should support our arts and culture. To those who think we'd be
better off without a National Endowment of the Arts or a National Endowment for
the Humanities, I urge them to see what you have done. The Heritage
Fellowships we present today our indispensable in safeguarding and sustaining
the many cultures that together make up American culture. They represent the
best of the Endowment's work.
And let me add that I am delighted and very gratified that the
United States Senate voted last week to reaffirm our national commitment to the
arts and to our heritage, and I very much hope the entire Congress follows
suit. (Applause.)
True art is deeply personal, as we all know. I was at Carmen last
night for the opening of the Met, and their house was full and I think each one
of us in the audience could enjoy the performance together, but we each felt
something different because of our own experiences and what we brought to that
opera house that evening. But great art does invite others to participate,
enjoy, understand and expand their own understandings. It is an exhilarating
way to learn up close not only what a varied people we are, but also how many
dreams we share in our imaginations. So many of our great artists and writers
have understood the immediate connection between past cultures and present-day
creativity.
And that is why I am delighted that as we gather here we are
really recognizing and appreciating what goes on not in an opera house or on
the stage of a great symphony hall, but in the quiet corners of everyday
America.
William Ferris, the Director of the Center for Southern Culture at
the University of Mississippi, wrote a book called, Local Color, that describes
nine remarkable Mississippi folk artists. Each contributed in no small way to
the life of his or her community. One artist, an elderly canemaker -- and I'm
sure he was among the many canemakers who sent their canes to my husband when
he was suffering from his injured leg -- (laughter) -- that canemaker was so
well-known that he received mail addressed simply to Hickory Stick Vic,
Mississippi. (Laughter.)
In his preface to William Ferris' book, Robert Penn Warren wrote,
"It is far too often forgotten that art and life have an inextricably entwined
rootage." That is what you have all
beautifully shown us. Through your art and your teaching, you have helped us
preserve our roots as a people. You've reminded us that in our country the
ordinary is often extraordinary. By reaching back to the past and inviting us
to learn from you, you have brought all of us together. And the President and
I are grateful to you for this important and essentially democratic service.
I would now like to introduce someone whose service as Chairman of
the National Endowment for the Arts is truly a gift to this country, one for
which all of us, whether we can sing on key --as I cannot -- or have ever
painted anything or participated in the arts at all should be grateful for, and
that is our indomitable leader of the National Endowment for the Arts, Jane
Alexander. (Applause.)
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